Her grandfather, Walter Bündchen, once served as mayor of Horizontina. Gisele Caroline Bündchen, a sixth-generation German Brazilian, was born on 20 July 1980 in Horizontina, Rio Grande do Sul, to Vânia ( née Nonnenmacher), a bank clerk pensioner, and Valdir Bündchen, a sociologist and writer. She has been a Goodwill Ambassador for the United Nations Environment Program since 2009. Bündchen's charitable endeavors include Save the Children, Red Cross and Doctors Without Borders. In 2016, she appeared in the Emmy Award-winning documentary series Years of Living Dangerously, in the episode "Fueling the Fire". She had a supporting role in The Devil Wears Prada (2006) and was the executive producer of an educational environmental cartoon, Gisele & the Green Team, in 2010 to 2011. īündchen was nominated for Choice Movie Female Breakout Star and for Choice Movie Villain at the 2005 Teen Choice Awards for her supporting role in Taxi (2004). Bündchen has appeared on more than 1,200 magazine covers. In 2007, Claudia Schiffer called Bündchen the only remaining supermodel. She is credited with pioneering and popularizing the horse walk, a stomping movement created by a model lifting her knees high and kicking her feet to step. Bündchen was a Victoria's Secret Angel from 1999 until 2006. Vogue credited Bündchen with ending the heroin chic era of modeling in 1999. In 2014, she was listed as the 89th-most-powerful woman in the World by Forbes. In 2007, Bündchen was the 16th-richest woman in the entertainment industry and earned the top spot on Forbes top-earning models list in 2012. Since 2001, she has been one of the highest-paid models in the world. To mark the 12-year anniversary of his passing – which shook the fashion world on 11 February, 2010 – Vogue pays tribute to his incredible work and revisits 20 of McQueen’s unforgettable runway moments.Gisele Caroline Bündchen ( Brazilian Portuguese:, German:, born 20 July 1980 ) is a Brazilian model. Over the next decade, showgoers were treated to a presentation with a sinister merry-go-round, a human game of chess, a vision of an underwater world post-climate change and a ghostly hologram of Kate Moss. Read more: According To Alexander McQueen SS21, The Prom Dress Is Well And Truly Back But the designer wasn’t done yet. The latter went on to become one of the most memorable catwalk finales in fashion history. It not only featured Paralympian Aimee Mullins wearing prosthetic legs carved from elmwood, but ended with two robots spray-painting a dress worn by supermodel Shalom Harlow. 13 was the collection that cemented McQueen’s reputation as the ultimate showman. For Joan later that year, his exploration of the elements moved from water to fire with a show that ended with a masked model being surrounded by a ring of fire. McQueen conceded, calling it Untitled, but that didn’t stop him sending models down a runway made of water-filled tanks while rain poured from above and spotlights bathed them in a suggestive yellow glow. The designer’s spring/summer 1998 show, partly financed by American Express, was originally titled The Golden Shower before the company demanded the name be changed. Read more: What WFH Looks Like For An Alexander McQueen Couturier McQueen’s shock tactics weren’t always a hit with his sponsors. For Dante in 1996, a skeleton was seated front row, while the 1997 show It’s a Jungle Out There saw a car catching fire, albeit accidentally. It set the tone for the shows that followed: Taxi Driver paid homage to Martin Scorsese’s troubled protagonist Travis Bickle Highland Rape was a commentary on England’s violation of Scotland and The Hunger showcased transparent bustiers filled with worms. His 1992 graduate collection, entitled Jack the Ripper Stalks His Victims, included a coat printed with thorns and locks of McQueen’s own hair sewn into the garments. The recipient of four British Designer of the Year awards, as well as a CBE, and now heralded as a genius, it’s easy to forget that McQueen’s creations were divisive from the offset. Over the course of his 18-year career, the designer’s presentations for both his eponymous label and Givenchy, where he served as creative director from 1996 to 2001, were the stuff of legend: 10 minutes of pure theatre that enthralled audiences with their audacity and conceptual brilliance.
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